Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb"
Johann Kuhnau, Paul Agnew, Les Arts Florissants, Thomas Hobbs
J. S. Bach: A Life in Music (Vol. 1). Arnstadt & Mühlhausen (1703-1708), Early Cantatas
0:54 April 5, 2024
BPM
79
Key
E Major
Camelot
12B

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Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" - Johann Kuhnau, Paul Agnew, Les Arts Florissants, Thomas Hobbs Information

Acousticness
94%
Danceability
26%
Energy
12%
Instrumentalness
4%
Liveness
11%
Loudness
65%
Speechiness
4%
Valence
28%
Popularity
Loudness
-20.924 dB

Summary

Johann Kuhnau, Paul Agnew, Les Arts Florissants, Thomas Hobbs's 'Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb"' came out on April 5, 2024. With Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Les Arts Florissants, Benjamin Alard's "J. S. Bach: A Life in Music (Vol. 1). Arnstadt & Mühlhausen (1703-1708), Early Cantatas" album is number 15 out of 36. On top of that, France appears to be the country where this track was created. Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" BPM

We consider the tempo marking of Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" by Johann Kuhnau, Paul Agnew, Les Arts Florissants, Thomas Hobbs to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

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ISRC
FR7JM2387140
Label
L-M Records/RCA Records

Section: 1.1298305988311768

End: 1.1338634490966797