Johann Kuhnau, Paul Agnew, Les Arts Florissants, Thomas Hobbs's 'Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb"' came out on April 5, 2024. With Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Les Arts Florissants, Benjamin Alard's "J. S. Bach: A Life in Music (Vol. 1). Arnstadt & Mühlhausen (1703-1708), Early Cantatas" album is number 15 out of 36. On top of that, France appears to be the country where this track was created. Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" by Johann Kuhnau, Paul Agnew, Les Arts Florissants, Thomas Hobbs to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lobe den Herrn, meine Seele: So feiren wir das hohe Fest | Johann Kuhnau, David Erler, Friedemann Klos, Camerata Lipsiensis, Gregor Meyer | D♭ Major | 2 | 3B | 109 BPM | ||
Psaume 51 Tilge, Höchster, Meine Sünden, BWV1083, Versus 17-18: Denn du willst kein Opfer haben | Johann Sebastian Bach, Karina Gauvin, Daniel Taylor, Les Violons du Roy, Bernard Labadie | B♭ Major | 1 | 6B | 117 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 3, Rezitativ. "Und Gott machte das Firmament" (Raphael) | Joseph Haydn, William Christie, Dietrich Henschel, Les Arts Florissants | B♭ Major | 4 | 6B | 116 BPM | ||
Primo Libro di madrigali, SV 23–39: IX. Fumia la pastorella | Claudio Monteverdi, Les Arts Florissants, Paul Agnew | E Major | 0 | 12B | 102 BPM | ||
Matthäus Passion, BWV 244, Pt. 1: I. Chorus with Chorale I/II, Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, Rufus Müller, Richard Jackson, Nancy Argenta, Lynda Lee, Jonathan Peter Kenny, Jamie MacDougall, Stephen Varcoe, Paul Goodwin, Jonathan Miller | E♭ Minor | 1 | 2A | 113 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Quoniam | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 2 | 4B | 121 BPM | ||
Israel in Egypt, HWV 54: Part II, The Exodus: But the waters overwhelmed their enemies (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Rameau : Hippolyte et Aricie : Act 1 "Dieu d'Amour, pour nos asiles" [The Priestess] | Jean-Philippe Rameau, William Christie, Les Arts Florissants | C Major | 2 | 8B | 161 BPM | ||
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Nisi Dominus, HWV 238: I. Nisi Dominus | George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM |
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