George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle made "Nisi Dominus, HWV 238: I. Nisi Dominus" available on March 29, 2024. The duration of Nisi Dominus, HWV 238: I. Nisi Dominus is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Nisi Dominus, HWV 238: I. Nisi Dominus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle's "Handel: Dixit Dominus, Laudate pueri, Nisi Dominus" album is number 10 out of 23. On top of that, France appears to be the country where this track was created. In terms of popularity, Nisi Dominus, HWV 238: I. Nisi Dominus is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Nisi Dominus, HWV 238: I. Nisi Dominus by George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, P. 77: IV. Quae moerebat | Giovanni Battista Pergolesi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Requiem, Kyrie: III. Kyrie eleison | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi | E♭ Major | 1 | 5B | 116 BPM | ||
Passionsoratorium: Kommt! Lasst uns anbeten (Chorus) | Johann Ernst Bach, Barbara Schlick, David Cordier, Christoph Prégardien, Stephen Varcoe, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | A Major | 0 | 11B | 114 BPM | ||
Messa Delli Apostoli: Kyrye II | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: I. Ouverture | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 1. Lux aeterna luceat eis Domine | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | C Minor | 1 | 5A | 82 BPM | ||
Kyrie de quarti toni | Francesc Valls i Galan, Henry Moderlak, Joan Boronat Sanz, Carla Brunet | D♭ Major | 1 | 3B | 73 BPM | ||
Elijah, Op. 70: "Blessed Are the Men Who Fear Him" (Chorus) | Felix Mendelssohn, Gabrieli, William Whitehead, Paul McCreesh | G Major | 2 | 9B | 124 BPM | ||
Missa in D-Dur, KV194: Kyrie | Chor und Orchester von St. Augustin, Alexander Kaimbacher, Klemens Sander, Cornelia Horak, Martina Steffl, Andreas Pixner | D Major | 2 | 10B | 91 BPM | ||
Missa Dolorosa: VI. Agnus Dei | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM |
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