"Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 1. Lux aeterna luceat eis Domine" by Niccolò Jommelli, Il Gardellino, Peter Van Heyghen was released on April 3, 2020. With Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 1. Lux aeterna luceat eis Domine being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's "Jommelli: Missa pro Defunctis, Libera me & Miserere" album is number 20 out of 50. On top of that, Belgium appears to be the country where this track was created. Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 1. Lux aeterna luceat eis Domine is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 1. Lux aeterna luceat eis Domine by Niccolò Jommelli, Il Gardellino, Peter Van Heyghen to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Exaudiat te Dominus, LWV 77 No. 15: II. Tribuat tibi secundum cor tuum | Jean-Baptiste Lully, Stephane Fuget, Les Épopées | F Minor | 2 | 4A | 78 BPM | ||
Te Deum: XI. Miserere nostri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
III. Seht, seht! wie reißt, wie bricht, wie fällt (Aria) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Daniel Johannsen | A♭ Major | 2 | 4B | 92 BPM | ||
Filen, mio caro bene, HanS 263: III. Chiedi pur ai monti (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Helena Rasker | F♯ Minor | 1 | 11A | 98 BPM | ||
Galliard | The Royal Wind Music | F♯ Major | 2 | 2B | 139 BPM | ||
Ingemisco | Giovanni Legrenzi, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | G Major | 0 | 9B | 105 BPM | ||
Tito Manlio: "Spezza lo stral piagato" | Niccolò Jommelli, Valer Sabadus, Armonia Atenea, George Petrou | D♭ Major | 3 | 3B | 130 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
In solitare arene: "Lo strale di Cupido" | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Missa Quadragesimalis, MH 552: Dona nobis pacem | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 2 | 12B | 129 BPM |
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