"Missa Quadragesimalis, MH 552: Dona nobis pacem" by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi was released on July 15, 2014. The duration of Missa Quadragesimalis, MH 552: Dona nobis pacem is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Missa Quadragesimalis, MH 552: Dona nobis pacem's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Haydn, Purcell Choir, Gyorgy Vashegyi's "Haydn, M.: Masses" album is number 21 out of 28. On top of that, Hungary appears to be the country where this track was created. Based on our statistics, Missa Quadragesimalis, MH 552: Dona nobis pacem's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Quadragesimalis, MH 552: Dona nobis pacem by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Pour vous dont je reçois et l’encens et les voeux | Jean-Marie Leclair, Thomas Dolie, Emőke Baráth, Chantal Santon Jeffery, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A Major | 4 | 11B | 136 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Requiem | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | B♭ Major | 3 | 6B | 111 BPM | ||
Missa Quadragesimalis, MH 552: Credo: Et incarnatus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | D♭ Minor | 0 | 12A | 89 BPM | ||
Symphony No. 10 in F Major, MH 51: II. Andante | Michael Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer, Philharmonia, English String Orchestra | E Minor | 0 | 9A | 76 BPM | ||
Membra Jesu nostri, BuxWV 75: VIIc. Ad faciem: Dum me mori est necesse | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Missa si Deus pro nobis, a 16 voci: II. Christe eleison | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 1 | 8A | 78 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VII. Domine Deus, Agnus Dei: Allegro | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D Major | 3 | 10B | 120 BPM | ||
Missa Dolorosa: VI. Agnus Dei | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Issé: Quels sons! quel bruit soudain | Andre Cardinal Destouches, Chantal Santon Jeffery, Emőke Baráth, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 3 | 1A | 95 BPM |
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