"Symphony No. 10 in F Major, MH 51: II. Andante" by Michael Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer, Philharmonia, English String Orchestra was released on November 1, 1996. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "The Jane Austen Companion". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Symphony No. 10 in F Major, MH 51: II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 10 in F Major, MH 51: II. Andante by Michael Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer, Philharmonia, English String Orchestra having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, HWV 232: Gloria Patri, et Filio | George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Major | 2 | 1B | 79 BPM | ||
Missa Sancti Hieronymi: II. Gloria. Vivace | Michael Haydn, Ulf Söderberg, St. Jacob's Chamber Choir, Ensemble PhilidOr, Gary Graden | B Major | 1 | 1B | 89 BPM | ||
Requiem in B-Flat Major, MH 838: XIV. Lux aeterna | Michael Haydn, Lydia Teuscher, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg Grun | F♯ Minor | 0 | 11A | 69 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Ich bin die Auferstehung und das Leben, SWV 464 | Heinrich Schütz, Vox Luminis, Lionel Meunier | D Minor | 1 | 7A | 134 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Magnificat en sol mineur, RV 610: I. Magnificat | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D♭ Major | 3 | 3B | 114 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Laudate Jehovam omnes gentes (Psalm 117), TWV 7:25 | Georg Philipp Telemann, Allabastrina Choir, Allabastrina, Elena Sartori | A Major | 1 | 11B | 137 BPM |
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