- BPM
- 69
- Key
- F♯ Minor
- Camelot
- 11A
Requiem in B-Flat Major, MH 838: XIV. Lux aeterna - Michael Haydn, Lydia Teuscher, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg Grun Information
- Acousticness
- 99%
- Danceability
- 14%
- Energy
- 2%
- Instrumentalness
- 6%
- Liveness
- 7%
- Loudness
- 46%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 4%
- Loudness
- -32.556 dB
Summary
"Requiem in B-Flat Major, MH 838: XIV. Lux aeterna" by Michael Haydn, Lydia Teuscher, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg Grun had its release date on July 1, 2006. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Lydia Teuscher, Manami Kusano, Jens Hamann, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg Grun's "Haydn: Requiem in B-Flat Major, MH 838" album is number 14 out of 19. On top of that, Germany appears to be the country where this track was created. Requiem in B-Flat Major, MH 838: XIV. Lux aeterna is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Requiem in B-Flat Major, MH 838: XIV. Lux aeterna BPM
We consider the tempo marking of Requiem in B-Flat Major, MH 838: XIV. Lux aeterna by Michael Haydn, Lydia Teuscher, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg Grun to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Requiem in B-Flat Major, MH 838: XIV. Lux aeterna Key
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
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|---|---|---|---|---|---|---|---|
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 | Die Ährenleserin, MH 493: Lasst uns unsrer Ernte freun | Michael Haydn, Salzburger Hofmusik, Wolfgang Brunner, Monika Mauch, Maria Ladurner, Marianna Herzig, Sascha Zarrabi, Christian Havel, Jakob Mitterrutzner | D♭ Major | 2 | 3B | 116 BPM | |
 | Os justi, WAB 30 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 80 BPM | |
 | Requiem canticorum: Alleluia | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 0 | 7B | 63 BPM | |
 | 3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | |
 | Vivaldi: Gloria in D Major, RV 589: VI. Domine Deus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Stephen Cleobury | B Major | 1 | 1B | 175 BPM | |
 | Magnificat, RV 610: 1. Magnificat anima mea Dominum | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | D♭ Major | 3 | 3B | 114 BPM |
- ISRC
- DEB110601114
- Label
- L-M Records/RCA Records