Kyrie de quarti toni
Francesc Valls i Galan, Henry Moderlak, Joan Boronat Sanz, Carla Brunet
Valls i Galan: Kyrie de quarti toni
2:02 January 19, 2024
BPM
73
Key
D♭ Major
Camelot
3B

Embed

Share Link

Kyrie de quarti toni - Francesc Valls i Galan, Henry Moderlak, Joan Boronat Sanz, Carla Brunet Information

Acousticness
99%
Danceability
16%
Energy
8%
Instrumentalness
80%
Liveness
13%
Loudness
57%
Speechiness
6%
Valence
5%
Popularity
Loudness
-25.835 dB

Summary

"Kyrie de quarti toni" by Francesc Valls i Galan, Henry Moderlak, Joan Boronat Sanz, Carla Brunet was released on January 19, 2024. The duration of Kyrie de quarti toni is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Kyrie de quarti toni's duration is considered a little bit shorter than the average duration of a typical track. Since Valls i Galan: Kyrie de quarti toni only contains only one song in the album, we like to consider this song as a single. Based on our data, Switzerland was the country where this track was produced or recorded. Kyrie de quarti toni is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Kyrie de quarti toni BPM

Since Kyrie de quarti toni by Francesc Valls i Galan, Henry Moderlak, Joan Boronat Sanz, Carla Brunet has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Kyrie de quarti toni being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.

Kyrie de quarti toni Key

D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Suite in E Minor, RCT 2: V. Le Rappel des Oiseaux by Jean-Philippe Rameau, Michel KienerSuite in E Minor, RCT 2: V. Le Rappel des OiseauxJean-Philippe Rameau, Michel KienerF♯ Minor411A120 BPM
I. Wo Soll Ich Fliehen Hin BWV 5, (1) Coro: Wo Soll Ich Fliehen Hin by Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Kristin Linde, Pieter Jan LeusinkI. Wo Soll Ich Fliehen Hin BWV 5, (1) Coro: Wo Soll Ich Fliehen HinHolland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Kristin Linde, Pieter Jan LeusinkF♯ Minor211A171 BPM
Misatango, Misa a Buenos Aires: XII. Pleni sunt coeli et terra by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto PereyraMisatango, Misa a Buenos Aires: XII. Pleni sunt coeli et terraMartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto PereyraG Minor26A70 BPM
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 5 in D major, BWV 850 by Luc BeauséjourThe Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 5 in D major, BWV 850Luc BeauséjourD♭ Major53B118 BPM
German Mass, D.872: Appendix: The Lord's Prayer by Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Rudolf Scholz, Wiener Symphoniker, Uwe Christian HarrerGerman Mass, D.872: Appendix: The Lord's PrayerFranz Schubert, Vienna Boys' Choir, Chorus Viennensis, Rudolf Scholz, Wiener Symphoniker, Uwe Christian HarrerD♭ Major33B112 BPM
Passionsoratorium: Kommt! Lasst uns anbeten (Chorus) by Johann Ernst Bach, Barbara Schlick, David Cordier, Christoph Prégardien, Stephen Varcoe, Rheinische Kantorei, Kleine Konzert, Das, Hermann MaxPassionsoratorium: Kommt! Lasst uns anbeten (Chorus)Johann Ernst Bach, Barbara Schlick, David Cordier, Christoph Prégardien, Stephen Varcoe, Rheinische Kantorei, Kleine Konzert, Das, Hermann MaxA Major011B114 BPM
Scarlatti, D: Keyboard Sonata in A Major, Kk. 39 by Domenico Scarlatti, Scott RossScarlatti, D: Keyboard Sonata in A Major, Kk. 39Domenico Scarlatti, Scott RossE Minor39A97 BPM
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 18, Lasset uns mit Jesu ziehen, BWV 481 by Johann Sebastian Bach, Masaaki Suzuki, Dominik Worner, Toru YamamotoMusicalisches Gesang-Buch Georg Christian Schemelli: I. No. 18, Lasset uns mit Jesu ziehen, BWV 481Johann Sebastian Bach, Masaaki Suzuki, Dominik Worner, Toru YamamotoE♭ Minor22A74 BPM
Alceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvelles by Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Jessye NormanAlceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvellesChristoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Jessye NormanG Major09B84 BPM
Laudate pueri, HWV 237: II. Sit nomen Domini by George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin DoyleLaudate pueri, HWV 237: II. Sit nomen DominiGeorge Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin DoyleD♭ Major23B108 BPM
ISRC
CHE272301812
Label
L-M Records/RCA Records

Section: 0.9421100616455078

End: 0.946913480758667