"Kyrie de quarti toni" by Francesc Valls i Galan, Henry Moderlak, Joan Boronat Sanz, Carla Brunet was released on January 19, 2024. The duration of Kyrie de quarti toni is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Kyrie de quarti toni's duration is considered a little bit shorter than the average duration of a typical track. Since Valls i Galan: Kyrie de quarti toni only contains only one song in the album, we like to consider this song as a single. Based on our data, Switzerland was the country where this track was produced or recorded. Kyrie de quarti toni is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Kyrie de quarti toni by Francesc Valls i Galan, Henry Moderlak, Joan Boronat Sanz, Carla Brunet has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Kyrie de quarti toni being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in E Minor, RCT 2: V. Le Rappel des Oiseaux | Jean-Philippe Rameau, Michel Kiener | F♯ Minor | 4 | 11A | 120 BPM | ||
I. Wo Soll Ich Fliehen Hin BWV 5, (1) Coro: Wo Soll Ich Fliehen Hin | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Kristin Linde, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 171 BPM | ||
Misatango, Misa a Buenos Aires: XII. Pleni sunt coeli et terra | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | G Minor | 2 | 6A | 70 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 5 in D major, BWV 850 | Luc Beauséjour | D♭ Major | 5 | 3B | 118 BPM | ||
German Mass, D.872: Appendix: The Lord's Prayer | Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Rudolf Scholz, Wiener Symphoniker, Uwe Christian Harrer | D♭ Major | 3 | 3B | 112 BPM | ||
Passionsoratorium: Kommt! Lasst uns anbeten (Chorus) | Johann Ernst Bach, Barbara Schlick, David Cordier, Christoph Prégardien, Stephen Varcoe, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | A Major | 0 | 11B | 114 BPM | ||
Scarlatti, D: Keyboard Sonata in A Major, Kk. 39 | Domenico Scarlatti, Scott Ross | E Minor | 3 | 9A | 97 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 18, Lasset uns mit Jesu ziehen, BWV 481 | Johann Sebastian Bach, Masaaki Suzuki, Dominik Worner, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Alceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvelles | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Jessye Norman | G Major | 0 | 9B | 84 BPM | ||
Laudate pueri, HWV 237: II. Sit nomen Domini | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM |
Section: 0.9421100616455078
End: 0.946913480758667