MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra's 'Misatango, Misa a Buenos Aires: XII. Pleni sunt coeli et terra' came out on January 6, 2017. With Misatango, Misa a Buenos Aires: XII. Pleni sunt coeli et terra being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Palmeri: Misatango, Misa a Buenos Aires". In this album, this song's track order is #12. Misatango, Misa a Buenos Aires: XII. Pleni sunt coeli et terra is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Misatango, Misa a Buenos Aires: XII. Pleni sunt coeli et terra by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Cum sanctis tuis | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | B♭ Major | 3 | 6B | 111 BPM | ||
Kysymyksiä Pietarille, Miksi Lähdit Herrasi Luota | Cantio Laudis -kuoro, Heikki Rainio | C Minor | 1 | 5A | 76 BPM | ||
Israel in Egypt, HWV 54: Part II: And the children of Israel sighed (Alto, Chorus) | George Frideric Handel, Rosemary Joshua, Atzuko Suzuki, Gerhild Romberger, Kobie Van Rensburg, Simon Pauly, Thomas Hamberger, Harald Hoeren, Christoph Lehmann, Max Hanft, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra | B Major | 4 | 1B | 111 BPM | ||
Nun komm, der Heiden Heiland, BWV 61: Amen, Amen (Chorus) | Johann Sebastian Bach, Ingrid Schmithusen, Yoshikazu Mera, Makoto Sakurada, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki | A♭ Major | 3 | 4B | 87 BPM | ||
Le Roi David (King David): Canticle | Arthur Honegger, Danielle Borst, Jacques Martin, Marie-Ange Todorovitch, Gilles Ragon, Clara Guedj, Ile de France Vittoria Regional Choir, Orchestre De La Cite, Michel Piquemal | C Major | 1 | 8B | 58 BPM | ||
Misa a Buenos Aires "Misatango": IV. Sanctus | MartÍn Palmeri, Dagmar Linde, Bach-Chor Siegen, Rocco Heins, Peter Scholl, El Arroyo Tango Orchestra, Ulrich Stötzel | G Minor | 1 | 6A | 87 BPM | ||
Die Schöpfung, Hob. XXI:2, Erster Teil: V. Chor mit Sopransolo "Mit Staunen sieht das Wunderwerk" | Joseph Haydn, Orchestre des Champs-Élysées, Philippe Herreweghe, Christina Landshamer | C Major | 2 | 8B | 99 BPM | ||
L'enfance du Christ, Op. 25: Part III: The Arrival at Sais - Scene 3 - Epilogue. Narrator | Hector Berlioz, Fernand Bernardi, Antoine Garcin, Michèle Lagrange, Michel Piquemal, Jean-Louis Serre, Etienne Vandier, Jean-Luc Viala, Ile de France Vittoria Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus | G Minor | 1 | 6A | 87 BPM | ||
Sueño de Barrilete | Eladia Blazquez, MartÍn Palmeri, Tous Ensemble Coro, Emiliano Linares | E Major | 7 | 12B | 111 BPM | ||
Missa Solemnis: XIII. Sanctus | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 132 BPM |
Section: 0.6370117664337158
End: 0.6502418518066406