- BPM
- 87
- Key
- G Minor
- Camelot
- 6A
L'enfance du Christ, Op. 25: Part III: The Arrival at Sais - Scene 3 - Epilogue. Narrator - Hector Berlioz, Fernand Bernardi, Antoine Garcin, Michèle Lagrange, Michel Piquemal, Jean-Louis Serre, Etienne Vandier, Jean-Luc Viala, Ile de France Vittoria Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus Information
- Acousticness
- 91%
- Danceability
- 14%
- Energy
- 7%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 55%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -26.847 dB
Summary
"L'enfance du Christ, Op. 25: Part III: The Arrival at Sais - Scene 3 - Epilogue. Narrator" by Hector Berlioz, Fernand Bernardi, Antoine Garcin, Michèle Lagrange, Michel Piquemal, Jean-Louis Serre, Etienne Vandier, Jean-Luc Viala, Ile de France Vittoria Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus was released on November 6, 1998. The duration of L'enfance du Christ, Op. 25: Part III: The Arrival at Sais - Scene 3 - Epilogue. Narrator is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. L'enfance du Christ, Op. 25: Part III: The Arrival at Sais - Scene 3 - Epilogue. Narrator's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 21 in Berlioz: Enfance Du Christ (L') by Hector Berlioz. L'enfance du Christ, Op. 25: Part III: The Arrival at Sais - Scene 3 - Epilogue. Narrator is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
L'enfance du Christ, Op. 25: Part III: The Arrival at Sais - Scene 3 - Epilogue. Narrator BPM
The tempo marking of L'enfance du Christ, Op. 25: Part III: The Arrival at Sais - Scene 3 - Epilogue. Narrator by Hector Berlioz, Fernand Bernardi, Antoine Garcin, Michèle Lagrange, Michel Piquemal, Jean-Louis Serre, Etienne Vandier, Jean-Luc Viala, Ile de France Vittoria Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
L'enfance du Christ, Op. 25: Part III: The Arrival at Sais - Scene 3 - Epilogue. Narrator Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Berlioz: La Damnation de Faust, Part 1, H. 111: "Les bergers quittent leurs troupeaux" (Chorus/Faust) | Hector Berlioz, Georges Prêtre, Brad Smith, Orchestre de Paris | E♭ Major | 1 | 5B | 78 BPM | |
 | Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | |
 | Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | |
 | Les Troyens / Act 3: No.27 Récitatif: "Auguste reine, un peuple" | Hector Berlioz, Anne Howells, Josephine Veasey, Anthony Raffell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | A♭ Major | 1 | 4B | 81 BPM | |
 | In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | |
 | Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | |
 | Japanese Suite, Op. 33: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | D♭ Major | 1 | 3B | 108 BPM | |
 | Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | |
 | 8 Slavonic Dances, Op.46, B.83: No.4 in F Major (Tempo di minuetto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | F Major | 1 | 7B | 119 BPM | |
 | Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7102344036102295
End: 0.7145042419433594