"Les Troyens / Act 3: No.27 Récitatif: "Auguste reine, un peuple"" by Hector Berlioz, Anne Howells, Josephine Veasey, Anthony Raffell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis was released on January 1, 1970. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 53 in Berlioz: Les Troyens (The Trojans) by Hector Berlioz, Sir Colin Davis, Jon Vickers, Josephine Veasey, Berit Lindholm, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Les Troyens / Act 3: No.27 Récitatif: "Auguste reine, un peuple" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Troyens / Act 3: No.27 Récitatif: "Auguste reine, un peuple" by Hector Berlioz, Anne Howells, Josephine Veasey, Anthony Raffell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
L'Enfance du Christ, Op.25 - Partie 3: L'arrivée à Sais: Trio pour deux flûtes et harpe | Hector Berlioz, Timothy Hutchins, Carolyn Christie, Jennifer Swartz | E Major | 2 | 12B | 170 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": II. Andante con moto | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 65 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM |
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