Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Marian Krejcik, Terry Wey, Cyril Auvity's 'Missa Paschalis, ZWV 7: Gloria. Quoniam' came out on March 21, 2014. The duration of Missa Paschalis, ZWV 7: Gloria. Quoniam is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Missa Paschalis, ZWV 7: Gloria. Quoniam's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Gabriela Eibenová's "Jan Dismas Zelenka: Missa Paschalis, ZWV 7 & Litaniae Omnium Sanctorum, ZWV 153" album is number 7 out of 27. On top of that, Czechia appears to be the country where this track was created. Based on our statistics, Missa Paschalis, ZWV 7: Gloria. Quoniam's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Paschalis, ZWV 7: Gloria. Quoniam by Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Marian Krejcik, Terry Wey, Cyril Auvity to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Choral: Herr, Stärke Mich, Dein Leiden Zu Bedenken | Il Fondamento | A♭ Minor | 1 | 1A | 79 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 2. Salva me, fons pietatis | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen | B Minor | 1 | 10A | 132 BPM | ||
Requiem in C Minor: I. Requiem | Jan Dismas Zelenka, Brigitte Fournier, Brigitte Balleys, Kenzo Ishii, Niklaus Tüller, Berne Chamber Chorus, Jörg Ewald Dähler, Berne Chamber Orchestra | A Major | 1 | 11B | 110 BPM | ||
Nisi Dominus, HWV 238: VI. Gloria Patri | George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Gelobet sei der Herr, TWV 1:602/1216: Singt gegeneinander | Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens | D♭ Major | 2 | 3B | 121 BPM | ||
Petite messe solennelle: X. Gloria. Cum Sancto Spiritu | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | E Minor | 0 | 9A | 68 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht | A♭ Minor | 2 | 1A | 89 BPM | ||
6 Sonatas, ZWV 81, No. 1 in F Major: II. Allegro | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin | D Major | 6 | 10B | 110 BPM | ||
The Czech Lute: No. 3, Matky Bozi slavna Nadani | Adam Václav Michna z Otradovic, Inégal Ensemble, Adam Viktora, Daniela Cermakova, Gabriela Eibenová | A♭ Major | 1 | 4B | 97 BPM | ||
Kyrie de quarti toni | Francesc Valls i Galan, Henry Moderlak, Joan Boronat Sanz, Carla Brunet | D♭ Major | 1 | 3B | 73 BPM |
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