On February 24, 2017, the song "Lobe den Herrn, meine Seele: So feiren wir das hohe Fest" was released by Johann Kuhnau, David Erler, Friedemann Klos, Camerata Lipsiensis, Gregor Meyer. The duration of Lobe den Herrn, meine Seele: So feiren wir das hohe Fest is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Lobe den Herrn, meine Seele: So feiren wir das hohe Fest's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 36 in Complete Sacred Works, Vol. 2 by Johann Kuhnau, Opella Musica, Camerata Lipsiensis, Gregor Meyer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Lobe den Herrn, meine Seele: So feiren wir das hohe Fest is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Lobe den Herrn, meine Seele: So feiren wir das hohe Fest by Johann Kuhnau, David Erler, Friedemann Klos, Camerata Lipsiensis, Gregor Meyer is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duncan cello set: II. Archibald MacDonald of Keppoch | Lucia Capellaro | D♭ Major | 1 | 3B | 147 BPM | ||
Ave maris stella | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Elizabeth Nurse, Colin Danskin, Daniel Tate | B Minor | 2 | 10A | 71 BPM | ||
Stabat Mater, P. 77: IV. Quae moerebat | Giovanni Battista Pergolesi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Gagliarda Prima detta la Galante | The Royal Wind Music | A♭ Minor | 0 | 1A | 66 BPM | ||
Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | G Major | 3 | 9B | 120 BPM | ||
Fantasia: Fantasia | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Secondo set di assolo per flauto e basso continuo, Op. 2a: No.1, Sonata in do maggiore: II. Allegro | Johann Christoph Pepusch, Claudio Ferrarini | F Major | 1 | 7B | 88 BPM | ||
The Crucifixion: I. Recit. – "And they came to a place named Gethsemane" | John Stainer, Liam Bonthrone, Imogen Morgan, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
Sonata No. 9 in F Minor: IV. Allegro | Francesco Mancini, Claudio Ferrarini | F Minor | 4 | 4A | 141 BPM |
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