"Fragment for the Virgin" by John Tavener, Nicola Benedetti, London Symphony Orchestra, Daniel Harding was released on January 1, 2005. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Szymanowski: Violin Concerto No.1". In this album, this song's track order is #8. Fragment for the Virgin is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fragment for the Virgin by John Tavener, Nicola Benedetti, London Symphony Orchestra, Daniel Harding having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allá se me ponga el sol à 4 | Juan Ponce, Huelgas Ensemble, Paul Van Nevel | D Minor | 0 | 7A | 176 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Three Sacred Hymns: I. Gegrüßet seist du, Jungfrau, Mutter Gottes | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | D Major | 1 | 10B | 74 BPM | ||
Requiem canticorum: De profundis | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | A Minor | 0 | 8A | 80 BPM | ||
O Nata Lux | Thomas Tallis, Voces8 | A Minor | 1 | 8A | 128 BPM | ||
Agnus Dei, Op. 11 | Samuel Barber, Ormond College Choir, Douglas Lawrence | D Major | 0 | 10B | 104 BPM | ||
O Rubor Sanguinis: Antienne | Hildegard von Bingen, Brigitte Lesne, Discantus | F Major | 0 | 7B | 75 BPM | ||
Requiem, Op. 48: Requiem, Op. 48: I. Introït | Gabriel Fauré, Ensemble Musique Oblique, Philippe Herreweghe, Les Petits Chanteurs de Saint-Louis, La Chapelle Royale | D Minor | 0 | 7A | 108 BPM | ||
Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1. Hymn to the Dawn | Gustav Holst, Etherea Vocal Ensemble, Grace Cloutier, Derek Greten-Harrison | G Major | 0 | 9B | 76 BPM | ||
2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio | Johan Svendsen, Bournemouth Sinfonietta, Richard Studt | E Minor | 1 | 9A | 92 BPM |
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