"O Nata Lux" by Thomas Tallis, Voces8 was released on January 1, 2015. The duration of O Nata Lux is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. O Nata Lux's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Voces8's "Lux" album is number 2 out of 19. Based on our statistics, O Nata Lux's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O Nata Lux by Thomas Tallis, Voces8 to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christmas Troparion (Inexpressible Wonder, No.4) | Georgy Sviridov, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 71 BPM | ||
Ubi Caritas | Ola Gjeilo, Voces8 | F♯ Minor | 0 | 11A | 129 BPM | ||
Tantum Ergo | Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
O ignis Spiritus Paraclitus | Hildegard von Bingen, Oxford Camerata, Jeremy Summerly | F Minor | 0 | 4A | 98 BPM | ||
All Shall be Well | Roxanna Panufnik, Exultate Singers, Richard May, David Ogden | F Major | 1 | 7B | 69 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Te lucis ante terminum (Festal Tone) | Thomas Tallis, Amarcord | D Major | 1 | 10B | 182 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
All That Could Never Be Said | Christopher Tin, Voces8, Royal Philharmonic Orchestra, Barnaby Smith | G Major | 1 | 9B | 71 BPM |
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