"Te lucis ante terminum (Festal Tone)" by Thomas Tallis, Amarcord was released on December 15, 2017. The duration of Te lucis ante terminum (Festal Tone) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Te lucis ante terminum (Festal Tone)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Tenebrae". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. The popularity of Te lucis ante terminum (Festal Tone) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Te lucis ante terminum (Festal Tone) by Thomas Tallis, Amarcord having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Come again, sweet love doth now invite | John Dowland, Amarcord | D Minor | 0 | 7A | 63 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Huc me sidereo | Adrian Willaert, Singer Pur | A Minor | 1 | 8A | 93 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: I. Lord have Mercy | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Major | 3 | 10B | 79 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Maria Magdalene | Francisco Guerrero, The Rose Ensemble, Jordan Sramek | A Major | 2 | 11B | 86 BPM | ||
Taedet animam meam | Cristobal de Morales, Egidus Kwartet | C Major | 0 | 8B | 132 BPM | ||
O Nata Lux | Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | C Major | 0 | 8B | 139 BPM | ||
Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
6 Chansons: No. 1. La biche | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Minor | 1 | 12A | 102 BPM |
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