"Three Sacred Hymns: I. Gegrüßet seist du, Jungfrau, Mutter Gottes" by Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann was released on March 4, 2016. With Three Sacred Hymns: I. Gegrüßet seist du, Jungfrau, Mutter Gottes being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Schnittke: Penitential Psalms". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. Three Sacred Hymns: I. Gegrüßet seist du, Jungfrau, Mutter Gottes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Sacred Hymns: I. Gegrüßet seist du, Jungfrau, Mutter Gottes by Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
Coronation Anthems,The King shall rejoice, HWV 260: No. 1, The King shall rejoice | George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 112 BPM | ||
Missa O lumen ecclesie: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 1 | 7B | 76 BPM | ||
Palestrina: Missa Papae Marcelli - 5b. Agnus Dei 2 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 111 BPM | ||
Miserere, Op.44: 3. Domine Deus noster-Lento. Poco espressivo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | G Major | 0 | 9B | 100 BPM | ||
4 Songs of Love: No. 4, His Left Hand | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | A Minor | 0 | 8A | 138 BPM | ||
Sunrise Mass: II. Sunrise | Ola Gjeilo, Westminster Williamson Voices, Sunrise Mass Orchestra, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Messe solennelle, Op. 16: I. Kyrie | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | F Minor | 3 | 4A | 91 BPM | ||
5 Fragmente zu Bildern von Hieronymus Bosch: No. 3. Andantino, "Es sehnt der keusche Himmel sich" | Alfred Schnittke, Dmitri Kortchak, Vladimir Spivakov, Moscow Virtuosi, members | C Minor | 2 | 5A | 134 BPM | ||
Evening Service in B Minor, Op. 6: II. Nunc dimittis | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | G Major | 1 | 9B | 174 BPM |
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