Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs's 'Messe solennelle, Op. 16: I. Kyrie' came out on March 23, 1997. Messe solennelle, Op. 16: I. Kyrie is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. This song is part of Vierne & Langlais: Messe solennelle by Gloucester Cathedral Choir, Mark Lee, David Briggs. The song's track number on the album is #1 out of 14 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Messe solennelle, Op. 16: I. Kyrie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messe solennelle, Op. 16: I. Kyrie by Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messe solennelle, Op. 16: I. Kyrie being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in G Minor: Agnus Dei | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, George Balfour, Jack Hawkins, Gopal Kambo, William Ashford, Alfred Harrison, Andrew Nethsingha | D Major | 0 | 10B | 76 BPM | ||
Mass in G Minor: Sanctus – Osanna I – Benedictus – Osanna II | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Matthew Brown, Hugh Cutting, Oliver Morris, James Beddoe, Andrew Nethsingha | D Minor | 0 | 7A | 74 BPM | ||
Improvisation on "Veni Creator Spiritus" | Jean Langlais, Mark Lee | B♭ Major | 1 | 6B | 116 BPM | ||
Sancta Maria, mater Dei, K. 273 | Wolfgang Amadeus Mozart, Maria Zedelius, Hilke Helling, Klaus Schneider, Klaus Mertens, Kölner Kammerchor, Collegium Classicum Köln, Peter Neumann | F Major | 1 | 7B | 77 BPM | ||
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | ||
O Lorde, the Maker of Al Thing, Op. 7b | John Joubert, Gloucester Cathedral Choir, Adrian Partington, Ashley Grote | G Minor | 1 | 6A | 106 BPM | ||
Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
Pièces de fantaisie suite No. 3, Op. 54: IV. Fantômes | Louis Vierne, Wolfgang Rübsam | E Major | 0 | 12B | 76 BPM | ||
Magnificat in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | G Major | 2 | 9B | 169 BPM |
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