"2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio" by Johan Svendsen, Bournemouth Sinfonietta, Richard Studt was released on February 8, 1995. The duration of 2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio is about 3 minutes long, at 3:10. Based on our data, "2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Scandinavian String Music". In this album, this song's track order is #13. In terms of popularity, 2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio by Johan Svendsen, Bournemouth Sinfonietta, Richard Studt having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St Paul's Suite, Op. 29 No. 2: I. Jig | Gustav Holst, George Hurst, Bournemouth Sinfonietta | G Major | 2 | 9B | 91 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 16 Children's Songs, Op. 54: No. 10, Lullaby in a Storm | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 0 | 7A | 89 BPM | ||
Country Gardens | Percy Grainger, Kenneth Montgomery, Bournemouth Sinfonietta, Moray Welsh, Philip Martin | D♭ Minor | 1 | 12A | 92 BPM | ||
The Gadfly, Op97: 3. Youth (Romance) | Dmitri Shostakovich, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | C Major | 1 | 8B | 138 BPM | ||
Suite in D Minor, Op. 16 (version for cello and orchestra): V. Tarantelle: Presto non troppo | Camille Saint-Saëns, Maria Kliegel, Bournemouth Sinfonietta, Jean-François Monnard | E♭ Major | 0 | 5B | 113 BPM | ||
5 Stücke im Volkston, Op. 102: II. Langsam | Robert Schumann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | F Major | 0 | 7B | 62 BPM | ||
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) | Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 82 BPM |
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