"Requiem canticorum: De profundis" by James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan was released on September 6, 2011. With Requiem canticorum: De profundis being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Whitbourn: Living Voices by James Whitbourn, Westminster Williamson Voices, James Jordan. The song's track number on the album is #18 out of 20 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Requiem canticorum: De profundis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem canticorum: De profundis by James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Requiem canticorum: De profundis being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dreams That Remain: No. 1, Song of a Dream | Thomas LaVoy, Westminster Williamson Voices, Greg Stout, James Jordan | E Major | 1 | 12B | 132 BPM | ||
He carried me away in the spirit | James Whitbourn, Commotio, Matthew Berry | D♭ Minor | 0 | 12A | 73 BPM | ||
The Last Letter | Thomas LaVoy, Westminster Williamson Voices, James Jordan | D Minor | 1 | 7A | 94 BPM | ||
Emendemus in melius a 5, T. 4 (Cantiones Sacrae, 1575): I. Emendemus in melius | William Byrd, The Gesualdo Six, Owain Park | D♭ Minor | 1 | 12A | 134 BPM | ||
The Fire of Love: No. 1, This Fire | Patrick Hawes, The Same Stream, James Jordan, Corey Everly, Valissa Willwerth, Blake Espy, Jason DePue, Branson Yeast | F Major | 1 | 7B | 123 BPM | ||
Solitude (Version for Choir & Piano) | Westminster Williamson Voices, James Jordan, Gregory Stout | E Minor | 1 | 9A | 79 BPM | ||
O Great Beyond: III. In Silence | Thomas LaVoy, The Same Stream, James Jordan, Megan Page Gallagher | F Major | 0 | 7B | 68 BPM | ||
Living Voices | James Whitbourn, Ronn Carroll, Westminster Williamson Voices, Jeremy Powell, James Jordan | C Minor | 0 | 5A | 167 BPM | ||
Adoramus te, Christe, LV 1083 | Orlande de Lassus, Pro Musica, Szabó Dénes | F Major | 0 | 7B | 70 BPM | ||
The Silver Swanne | Anam Cara, James Jordan | A♭ Major | 1 | 4B | 120 BPM |
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