""Ombra mai fu" (Serse), HWV 40" by George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers was released on January 1, 2007. The duration of "Ombra mai fu" (Serse), HWV 40 is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. "Ombra mai fu" (Serse), HWV 40's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 16 in Eternal Light by Elin Manahan Thomas. Based on our statistics, "Ombra mai fu" (Serse), HWV 40's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of "Ombra mai fu" (Serse), HWV 40 by George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: I. Introit | Karl Jenkins, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Catrin Finch, Tim Thorne, Gary Kettel, Timothy Rhys-Evans | A Minor | 2 | 8A | 139 BPM | ||
Orff: Carmina Burana: In Trutina | Carl Orff, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 70 BPM | ||
Les Pecheurs De Perles (The Pearl Fishers): Les Pecheurs De Perles (The Pearl Fishers), Act 1: Au Fond Du Temple Saint | Eugene Cormon, Slovak Radio Symphony Orchestra, Igor Morozov, Janez Lotric, Michel Carre, Georges Bizet | E♭ Major | 1 | 5B | 132 BPM | ||
Cavalli: Il Xerse, Act 1: "Ombra mai fu" (Xerse) | Francesco Cavalli, Philippe Jaroussky | F Major | 1 | 7B | 91 BPM | ||
Sposa, son disprezzata | Montserrat Caballé | F Minor | 1 | 4A | 106 BPM | ||
Dido and Aeneas, Z. 626: Act III, When I Am Laid in Earth | Henry Purcell, Andrew Parrott, Taverner Players | F♯ Minor | 0 | 11A | 107 BPM | ||
Il Trionfo del Tiempo e del Disinganno, HWV 46a - Oratorio: "Tu del Ciel ministro eletto" | George Frideric Handel, Julia Lezhneva, Dmitry Sinkovsky, Il Giardino Armonico, Giovanni Antonini | B Major | 2 | 1B | 106 BPM | ||
Bach, C.P.E.: Cello Concerto No. 3 in A Major, Wq. 172, H. 439 (Cadenzas by Anner Bylsma): III. Allegro assai | Carl Philipp Emanuel Bach, Anner Bylsma, Orchestra of the Age of Enlightenment, Gustav Leonhardt | A♭ Minor | 1 | 1A | 75 BPM | ||
Addio del passato - Violetta | Giuseppe Verdi, Anna Netrebko | A Minor | 0 | 8A | 92 BPM | ||
Dixit Dominus, HWV 232: Dixit Dominus | George Frideric Handel, Rory O'Connor, Angela Kazimierczuk, Charles Humphries, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 2 | 11A | 93 BPM |
Section: 0.637976884841919
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