- BPM
- 139
- Key
- A Minor
- Camelot
- 8A
Requiem: I. Introit - Karl Jenkins, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Catrin Finch, Tim Thorne, Gary Kettel, Timothy Rhys-Evans Information
- Acousticness
- 99%
- Danceability
- 14%
- Energy
- 16%
- Instrumentalness
- 92%
- Liveness
- 11%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 26%
- Loudness
- -19.099 dB
Summary
"Requiem: I. Introit" by Karl Jenkins, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Catrin Finch, Tim Thorne, Gary Kettel, Timothy Rhys-Evans was released on 2005. Since Requiem: I. Introit is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Requiem". In this album, this song's track order is #1. Based on our statistics, Requiem: I. Introit's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Requiem: I. Introit BPM
With Requiem: I. Introit by Karl Jenkins, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Catrin Finch, Tim Thorne, Gary Kettel, Timothy Rhys-Evans having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
Requiem: I. Introit Key
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lux aeterna: Lux Aeterna: O nata lux | Morten Lauridsen, Elora Festival Singers, Noel Edison | D Major | 0 | 10B | 171 BPM | |
 | Beauty and the Beast (A) | Frank Ricotti, Gary Kettel | G Major | 3 | 9B | 81 BPM | |
 | 4 Songs, Op. 13: No. 3. Sure on this shining night | Samuel Barber, Birmingham Conservatoire Chamber Choir, Ben Kennedy, Paul Spicer | B♭ Major | 0 | 6B | 101 BPM | |
 | Miserere: Songs of Mercy and Redemption: 6. Hymnus: When I survey the wondrous cross | Karl Jenkins, Stephen Layton, Polyphony, Britten Sinfonia, Catrin Finch, Jody Jenkins | F Major | 1 | 7B | 129 BPM | |
 | Miasma | John Fiddy, David Arch, Gregor F. Narholz, Jeff Leach, Mitch Dalton, Steve Pearce, Frank Ricotti, Gary Kettel, Richard Watkins, Troy Donockley | E♭ Minor | 0 | 2A | 130 BPM | |
 | Celtic Concerto: 3. Solstice | Catrin Finch, Sinfonia Cymru, John Rutter | B♭ Minor | 2 | 3A | 140 BPM | |
 | Lo, the full, final sacrifice, Op.26: Amen | Gerald Finzi, Choir of New College, Oxford, Edward Higginbottom | E Major | 1 | 12B | 69 BPM | |
 | Unicorn Songs: No. 1. Back Through the Mists of Time | Matthew Linley, Serendipity | G Minor | 0 | 6A | 115 BPM | |
| Suite Lyrique: 3. Aria | John Rutter, Catrin Finch, Sinfonia Cymru | E Minor | 1 | 9A | 128 BPM | |
 | Nunc dimittis | Arvo Pärt, Estonian Philharmonic Chamber Choir, Paul Hillier | A♭ Major | 0 | 4B | 75 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7607190608978271
End: 0.7673685550689697