Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee's 'Piano Concerto No. 2 in F Major, Op. 102: II. Andante' came out on August 3, 1995. Since Piano Concerto No. 2 in F Major, Op. 102: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Shostakovich: Piano Concertos Nos. 1 and 2". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Piano Concerto No. 2 in F Major, Op. 102: II. Andante's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Piano Concerto No. 2 in F Major, Op. 102: II. Andante by Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elegie: O doux printemps d'autrefois | Jules Massenet, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 114 BPM | ||
Symphony No. 3 in F major, Op. 90: III. Poco allegretto | Seattle Symphony Orchestra | C Minor | 0 | 5A | 92 BPM | ||
Khachaturian: Spartacus Suite No. 2: I. Adagio of Spartacus and Phrygia | Aram Khachaturian, Yuri Temirkanov, Royal Philharmonic Orchestra | D♭ Major | 1 | 3B | 104 BPM | ||
Peer Gynt, Op. 23 - Incidental Music: No. 12a The Death of Ase | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B Minor | 0 | 10A | 113 BPM | ||
Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | C Major | 1 | 8B | 79 BPM | ||
Concerto For Piano & Orchestra - Movement 1 - The Smile | Nigel Hess, Lang Lang, London Chamber Orchestra, Christopher Warren-Green | E♭ Major | 2 | 5B | 100 BPM | ||
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
Sonata in G Minor for Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Heinrich Schiff, Elisabeth Leonskaja | A Minor | 2 | 8A | 125 BPM | ||
Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM | ||
The Well-Tempered Clavier, BWV 846: No. 1, Prelude in C Major | Johann Sebastian Bach, James Rhodes | C Major | 1 | 8B | 90 BPM |
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