"Variation 6: Sostenuto (quasi adagietto)" by Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker was released on January 19, 1995. The duration of Variation 6: Sostenuto (quasi adagietto) is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Variation 6: Sostenuto (quasi adagietto)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Reger: Mozart Variations Op. 132 / Hiller Variations Op. 100". In this album, this song's track order is #7. Variation 6: Sostenuto (quasi adagietto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variation 6: Sostenuto (quasi adagietto) by Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anthem (with New Zealand Symphony Orchestra) | Andersson, Ulvaeus, Rice, Tim Beveridge, New Zealand Symphony Orchestra, Mark Taddei | D Major | 1 | 10B | 72 BPM | ||
Concerto for Organ, Strings and Percussion in G minor, FP 93: Andante | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | A♭ Major | 1 | 4B | 107 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich | Robert Schumann, Otto Klemperer, New Philharmonia Orchestra | D Major | 3 | 10B | 113 BPM | ||
Double Indemnity: I. Prelude | Miklós Rózsa, New Zealand Symphony Orchestra, James Sedares | C Major | 0 | 8B | 76 BPM | ||
Serenade, Op. 1: II. Andante con moto | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 83 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Markus Poschner, Orchestra della Svizzera Italiana | B Minor | 0 | 10A | 72 BPM | ||
Scenes alsaciennes, "Suite No. 7": III. Sous les tilleuls | Jules Massenet, New Zealand Symphony Orchestra, Jean-Yves Ossonce | B♭ Major | 0 | 6B | 86 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 1 | 8B | 78 BPM | ||
Scenes historiques II, Op. 66: II. The Love Song | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | F♯ Major | 0 | 2B | 137 BPM |
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