"Scenes alsaciennes, "Suite No. 7": III. Sous les tilleuls" by Jules Massenet, New Zealand Symphony Orchestra, Jean-Yves Ossonce was released on April 11, 1995. With this song being about 5 minutes long, at 4:59, "Scenes alsaciennes, "Suite No. 7": III. Sous les tilleuls" by Jules Massenet, New Zealand Symphony Orchestra, Jean-Yves Ossonce is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jules Massenet's "Massenet: Orchestral Suites Nos. 4 - 7" album is number 14 out of 15. Scenes alsaciennes, "Suite No. 7": III. Sous les tilleuls is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Scenes alsaciennes, "Suite No. 7": III. Sous les tilleuls by Jules Massenet, New Zealand Symphony Orchestra, Jean-Yves Ossonce to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Stephen Hough, Bryden Thomson, Hallé | F Major | 0 | 7B | 66 BPM | ||
Thaïs: Méditation (Arr. for Cello & Piano) | Jules Massenet, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 80 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 75 BPM | ||
Saint-Saëns: Romance pour cor et orchestre, Op. 36 (Version for Cello and Piano) | Camille Saint-Saëns, Roland Pidoux | F Major | 0 | 7B | 132 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
Mélodie - Élégie | Jules Massenet, Penelope Lynex, Alexander Wells | E♭ Major | 1 | 5B | 90 BPM | ||
Thaïs: Dis-moi que je suis belle | Jules Massenet, Louis Gallet, Seljan Nasibli, Ukraine National Symphony Orchestra, Yalchin Adigozalov | F Major | 1 | 7B | 84 BPM |
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