"Thaïs: Méditation (Arr. for Cello & Piano)" by Jules Massenet, Yo-Yo Ma, Kathryn Stott was released on 2003. Thaïs: Méditation (Arr. for Cello & Piano) is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Paris - La Belle Époque (Remastered)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Thaïs: Méditation (Arr. for Cello & Piano) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Thaïs: Méditation (Arr. for Cello & Piano) by Jules Massenet, Yo-Yo Ma, Kathryn Stott having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deep River (Arr. Coleridge-Taylor, Kanneh-Mason) | Traditional, Sheku Kanneh-Mason, Isata Kanneh-Mason, Braimah Kanneh-Mason | E Major | 1 | 12B | 86 BPM | ||
Mascagni: Cavalleria rusticana: Intermezzo | Pietro Mascagni, Riccardo Muti, Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Sospiri, Op. 70 (Arr. Violin and Piano) | Edward Elgar, Nicola Benedetti, Petr Limonov | D Minor | 0 | 7A | 93 BPM | ||
The Eternal Vow | Tan Dun, Yo-Yo Ma, Chen Xie Yang, Shanghai Symphony Orchestra, Shanghai National Orchestra | D Minor | 0 | 7A | 83 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111 - Orchestral Version: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | F♯ Major | 0 | 2B | 90 BPM | ||
Giuseppe Tornatore Suite: Main Theme from "A Pure Formality" - Remembering (Ricordare) | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | D♭ Minor | 2 | 12A | 87 BPM | ||
Suite bergamasque, L.75: 3. Clair de lune | Claude Debussy, Pascal Rogé | D♭ Major | 0 | 3B | 129 BPM |
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