Dido and Aeneas, Z. 626: Act III, When I Am Laid in Earth - Henry Purcell, Andrew Parrott, Taverner Players Information

Acousticness: 83%
Danceability: 16%
Energy: 4%
Instrumentalness: 40%
Liveness: 13%
Loudness: 60%
Speechiness: 4%
Valence: 7%
Popularity: 5%
Loudness: -24.233 dB

Summary

"Dido and Aeneas, Z. 626: Act III, When I Am Laid in Earth" by Henry Purcell, Andrew Parrott, Taverner Players was released on 1994. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 44 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #41. Furthermore, we believe that the track originated from United States. In terms of popularity, Dido and Aeneas, Z. 626: Act III, When I Am Laid in Earth is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Dido and Aeneas, Z. 626: Act III, When I Am Laid in Earth BPM

With Dido and Aeneas, Z. 626: Act III, When I Am Laid in Earth by Henry Purcell, Andrew Parrott, Taverner Players having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Dido and Aeneas, Z. 626: Act III, When I Am Laid in Earth Key

This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Myrthen, Op. 25: No. 7. Die Lotosblume	Robert Schumann, Margaret Price, James Lockhart	D Major	1	10B	93 BPM
Carmina Burana: IV. Omnia sol temperat	Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox	G Minor	0	6A	79 BPM
A Midsummer Night's Dream, Incidental Music, Op. 61: Finale. Allegro di molto	Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, The Monteverdi Choir, Frankie Wakefield, Alexander Knox, Ceri-lyn Cissone	E Major	0	12B	176 BPM
Burial Service: Thou knowest, Lord, the secrets of our hearts, Z. 58C	Henry Purcell, Oxford Camerata, Laurence Cummings, Jeremy Summerly	C Minor	0	5A	85 BPM
Il giardino di rose: "Mentre io godo"	Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski	B Minor	0	10A	111 BPM
Monteverdi: L'Orfeo, SV 318, Act 2: "Possente spirto" (Orfeo)	Alessandro Striggio, Claudio Monteverdi, Philippe Jaroussky, Bérengère Sardin, Diego Fasolis, I Barocchisti	D♭ Minor	1	12A	68 BPM
Tito Manlio, RV 738 / Act 3: Sonno, se pur sei sonno	Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon	C Minor	0	5A	57 BPM
Miserere II in C minor: 1. Miserere mei, Deus	Giovanni Battista Pergolesi, The Choir of Magdalen College, Oxford, The Wren Orchestra, Bernard Rose	D♭ Major	2	3B	120 BPM
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro)	Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan	F Major	1	7B	140 BPM
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling	Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin	A♭ Major	2	4B	83 BPM

ISRC: USSM19401064
Label: L-M Records/RCA Records

Section: 0.6665897369384766

End: 0.6839745044708252