"A Midsummer Night's Dream, Incidental Music, Op. 61: Finale. Allegro di molto" by Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, The Monteverdi Choir, Frankie Wakefield, Alexander Knox, Ceri-lyn Cissone had its release date on February 3, 2017. This song is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, The Monteverdi Choir's "Mendelssohn: A Midsummer Night's Dream" album is number 13 out of 13. The popularity of A Midsummer Night's Dream, Incidental Music, Op. 61: Finale. Allegro di molto is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op. 61: Finale. Allegro di molto by Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, The Monteverdi Choir, Frankie Wakefield, Alexander Knox, Ceri-lyn Cissone to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Piano Concerto No.4 in G minor, Op.40: 3. Allegro vivace | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 177 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
Sinfonia No. 4 in C Minor, MWV N4: II. Andante | Felix Mendelssohn, Northern Chamber Orchestra, Nicholas Ward | E Minor | 1 | 9A | 129 BPM | ||
Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea | Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 86 BPM | ||
The High Council Meeting and Qui-Gon's Funeral | John Williams, London Symphony Orchestra | F♯ Minor | 1 | 11A | 77 BPM | ||
String Octet in E-Flat Major, Op. 20, MWV R20: III. Scherzo: Allegro leggierissimo | Felix Mendelssohn, Kodály Quartet, Auer String Quartet | A Minor | 0 | 8A | 168 BPM | ||
Pergolesi: Stabat Mater: I. Stabat mater dolorosa | Paul Daniel, Lesley Garrett, Robin Blaze | F Minor | 1 | 4A | 93 BPM |