"Pergolesi: Stabat Mater: I. Stabat mater dolorosa" by Paul Daniel, Lesley Garrett, Robin Blaze was released on October 5, 2009. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 38 in the song's album "The Very Best of Lesley Garrett". In this album, this song's track order is #18. In terms of popularity, Pergolesi: Stabat Mater: I. Stabat mater dolorosa is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pergolesi: Stabat Mater: I. Stabat mater dolorosa by Paul Daniel, Lesley Garrett, Robin Blaze having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Let The Bright Seraphim | Lesley Garrett | D Major | 2 | 10B | 100 BPM | ||
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | ||
Offenbach: La Princesse de Trébizonde, Act II: Quintette des assiettes 'Oh ! Oui c'etait le bon temps' (Cabriolo, Tremolini, Zanetta, Regina, Paola) | Jacques Offenbach, Paul Daniel, London Philharmonic Orchestra | D Major | 2 | 10B | 130 BPM | ||
Salve Regina in C minor (1736): 4. Et Jesum | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 95 BPM | ||
Offenbach: La Princesse de Trébizonde, Act I: Finale 'Ah Ce spectacle etait charmant' (Chorus, Zanetta, Cabriolo, Tremolini, Regina, le Directeur) | Jacques Offenbach, Paul Daniel, London Philharmonic Orchestra | F Major | 3 | 7B | 113 BPM | ||
Offenbach: La Princesse de Trébizonde, Act II: Dialogue 'Oh J'avais besoin de ca' (Cabriolo, Regina, Paola, Tremolini, Raphael, Zanetta, Sparadrap, Casimir) | Jacques Offenbach, Paul Daniel, London Philharmonic Orchestra | C Major | 1 | 8B | 130 BPM | ||
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Oh! What a beautiful mornin' [Oklahoma!] | Richard Rodgers, Bryn Terfel, English Northern Philharmonia, Paul Daniel | E♭ Major | 2 | 5B | 72 BPM |
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