"Saxophone Quartet (2014)" by Georg Friedrich Haas, Fukio Ensemble was released on October 21, 2022. Saxophone Quartet (2014) appears to be safe for all ages as it is not explicit. There are a total of 17 in the song's album "Transcend". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. In terms of popularity, Saxophone Quartet (2014) is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Saxophone Quartet (2014) by Georg Friedrich Haas, Fukio Ensemble having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Thoughts About the Piano: No. 2. Catenaires | Elliott Carter, Ursula Oppens | F♯ Major | 3 | 2B | 68 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation VII | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 0 | 7B | 53 BPM | ||
Six Encores: Erdenklavier | Luciano Berio, Andrea Lucchesini | C Minor | 0 | 5A | 175 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | F♯ Major | 4 | 2B | 148 BPM | ||
Petals | Kaija Saariaho, Anssi Kartunnen | G Major | 3 | 9B | 100 BPM | ||
Cyper Ball Woooom | AlyMusicGroup | A♭ Major | 3 | 4B | 76 BPM | ||
Sonatas and Interludes for Prepared Piano: Sonata No. 2 | John Cage, Boris Berman | D♭ Major | 2 | 3B | 123 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Closing circle | Upside Down Upright Bass | A Major | 1 | 11B | 76 BPM |
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