Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher made "Preludes in Quarter-Tone System: IV" available on 2006. With Preludes in Quarter-Tone System: IV being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Quarter-Tone Pieces". In this album, this song's track order is #2. Based on our statistics, Preludes in Quarter-Tone System: IV's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Preludes in Quarter-Tone System: IV by Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Melodies for Violin and Keyboard: II. | John Cage, Steffen Schleiermacher, Andreas Seidel | E Minor | 0 | 9A | 97 BPM | ||
Musical Toys: 6. Song of the fisherman | Sofia Gubaidulina, Claire-Marie Le Guay | G Minor | 0 | 6A | 66 BPM | ||
Ligeti: Atmosphères | György Ligeti, Jonathan Nott, Berliner Philharmoniker | D♭ Major | 1 | 3B | 84 BPM | ||
Love Token | Elena Kats-Chernin, Tamara Anna Cislowska | C Major | 3 | 8B | 112 BPM | ||
Tierkreis, 12 Melodies of the Star Signs, Version for Bass Clarinet and Piano: Aries | Karlheinz Stockhausen, Steffen Schleiermacher, Volker Hemken | A Minor | 0 | 8A | 67 BPM | ||
Printemps, L. 61: I. Très modéré | Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B Major | 0 | 1B | 88 BPM | ||
The Unanswered Question | Charles Ives, Oregon Symphony, Carlos Kalmar | C Major | 0 | 8B | 122 BPM | ||
Concerto for Saxophone - Quartet: Movevement II | Philip Glass, The Raschèr Saxophone Quartet, Andrew Sterman, Jon Gibson, Richard Peck | F Major | 1 | 7B | 72 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Ainsi parlait Zarathoustra pour 4 pianos, Op. 17 (1930/1936): III. Lento | Ivan Wyschnegradsky, Cyrille Guion, Martine Joste, Li Xie, Guanlan Xu, Léo margue | G Minor | 4 | 6A | 74 BPM |
Section: 0.6521337032318115
End: 0.657599925994873