Six Melodies for Violin and Keyboard: II.
John Cage, Steffen Schleiermacher, Andreas Seidel
Cage: Violin & Piano
1:53 January 1, 2010
BPM
97
Key
E Minor
Camelot
9A

Embed

Share Link

Six Melodies for Violin and Keyboard: II. - John Cage, Steffen Schleiermacher, Andreas Seidel Information

Acousticness
96%
Danceability
31%
Energy
0%
Instrumentalness
0%
Liveness
28%
Loudness
34%
Speechiness
5%
Valence
26%
Popularity
Loudness
-39.547 dB

Summary

John Cage, Steffen Schleiermacher, Andreas Seidel's 'Six Melodies for Violin and Keyboard: II.' came out on January 1, 2010. With Six Melodies for Violin and Keyboard: II. being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 9 in Cage: Violin & Piano by John Cage, Steffen Schleiermacher, Andreas Seidel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Six Melodies for Violin and Keyboard: II. is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Six Melodies for Violin and Keyboard: II. BPM

The tempo marking of Six Melodies for Violin and Keyboard: II. by John Cage, Steffen Schleiermacher, Andreas Seidel is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Six Melodies for Violin and Keyboard: II. Key

This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Sonatas and Interludes for Prepared Piano: Sonata No. 4 by John Cage, Boris BermanSonatas and Interludes for Prepared Piano: Sonata No. 4John Cage, Boris BermanG Minor36A68 BPM
20 Regards sur l'enfant-Jésus: I. Regard du Pere by Olivier Messiaen, Håkon Austbø20 Regards sur l'enfant-Jésus: I. Regard du PereOlivier Messiaen, Håkon AustbøF♯ Major02B57 BPM
Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I by Morton Feldman, Ensemble RechercheSamoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: IMorton Feldman, Ensemble RechercheC Major08B72 BPM
Der Bote by Valentin Silvestrov, Alexei LubimovDer BoteValentin Silvestrov, Alexei LubimovC Minor05A70 BPM
Valencia by Caroline Shaw, Attacca QuartetValenciaCaroline Shaw, Attacca QuartetF Major17B137 BPM
Minipulsars, Pt. 2: Bing 4 by Tomasz TrzcinskiMinipulsars, Pt. 2: Bing 4Tomasz TrzcinskiD Minor37A82 BPM
Sound Patterns by Pauline Oliveros, Brandeis University Chamber Chorus, Alvin LucierSound PatternsPauline Oliveros, Brandeis University Chamber Chorus, Alvin LucierF Major37B172 BPM
Preludes in Quarter-Tone System: IV by Ivan Wyschnegradsky, Josef Christof, Steffen SchleiermacherPreludes in Quarter-Tone System: IVIvan Wyschnegradsky, Josef Christof, Steffen SchleiermacherF♯ Major42B148 BPM
Twelve Preludes For Piano (1953): I by Galina Ustvolskaya, Marianne SchroederTwelve Preludes For Piano (1953): IGalina Ustvolskaya, Marianne SchroederD Minor07A68 BPM
Sisask : Starry Sky Cycle Op.52 - Pleiades : 17. II Maja by Urmas Sisask, Lauri VäinmaaSisask : Starry Sky Cycle Op.52 - Pleiades : 17. II MajaUrmas Sisask, Lauri VäinmaaF Major07B69 BPM
ISRC
DEA141060702
Label
L-M Records/RCA Records

Section: 0.6562159061431885

End: 0.6608190536499023