"Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus" by Olivier Messiaen, Lucas Debargue was released on November 3, 2017. Since Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen's "Messiaen: Quatuor pour la fin du temps (Quartet for the End of Time)" album is number 5 out of 8. Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus by Olivier Messiaen, Lucas Debargue to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trauermusik | Paul Hindemith, Kim Kashkashian, Dennis Russell Davies, Stuttgart Chamber Orchestra | E Minor | 1 | 9A | 99 BPM | ||
Clarinet Sonata No. 1 in F Minor, Op. 120 (orch. L. Berio): II. Andante un poco adagio | Luciano Berio, Johannes Brahms, Karl-Heinz Steffens, Rhenish State Philharmonic Orchestra, Daniel Raiskin | A♭ Major | 0 | 4B | 69 BPM | ||
Violin Concerto "To the Memory of an Angel": I. Andante - Allegro | Alban Berg, Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine | C Major | 1 | 8B | 89 BPM | ||
Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
Turangalîla-Symphony: IV. Chant d'amour 2. Bien modéré | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | A♭ Minor | 3 | 1A | 81 BPM | ||
Préludes / Book 1, L. 117: 10. La cathédrale engloutie | Claude Debussy, Daniel Barenboim | C Major | 0 | 8B | 132 BPM | ||
Gnossiennes: No. 5 | Erik Satie, Reinbert de Leeuw | E Minor | 0 | 9A | 94 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 3, Moonlight | Benjamin Britten, André Previn, London Symphony Orchestra | G Minor | 1 | 6A | 117 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Eine Alpensinfonie: I. Nacht - Sonnenaufgang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 88 BPM |
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