"Violin Concerto "To the Memory of an Angel": I. Andante - Allegro" by Alban Berg, Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine was released on January 1, 2003. Violin Concerto "To the Memory of an Angel": I. Andante - Allegro appears to be safe for all ages as it is not explicit. The song is number 7 out of 110 in Alban Berg Collection by Alban Berg, Claudio Abbado, James Levine, Pierre Boulez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Violin Concerto "To the Memory of an Angel": I. Andante - Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto "To the Memory of an Angel": I. Andante - Allegro by Alban Berg, Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 2 Vergangenes (Things past) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | G Minor | 0 | 6A | 81 BPM | ||
Violin Concerto In E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | E Minor | 1 | 9A | 81 BPM | ||
Sonata in B Minor, K.87 | Domenico Scarlatti, Vladimir Horowitz | B Minor | 0 | 10A | 76 BPM | ||
Promethée - Le poème du feu, Op. 60 | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez, Chicago Symphony Chorus, Duain Wolfe | B♭ Minor | 1 | 3A | 65 BPM | ||
Violin Concerto, Op.15: 2. Vivace | Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi | A Minor | 2 | 8A | 101 BPM | ||
Turangalîla Symphonie: 3. Turangalîla I | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D Major | 2 | 10B | 176 BPM | ||
Clarinet Sonata in F Minor, Op. 120, No. 1: II. Andante un poco Adagio | Johannes Brahms, Martin Fröst, Roland Pöntinen | A♭ Major | 0 | 4B | 131 BPM | ||
Eine Alpensinfonie: I. Nacht - Sonnenaufgang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 88 BPM | ||
Piano Sonata No. 1 - Mässig bewegt - Stereo Version | Alban Berg, Glenn Gould | B Major | 1 | 1B | 104 BPM | ||
Dutilleux: Sonatine for Flute and Piano: II. Andante espressivo - | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 1 | 3A | 88 BPM |
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