"Violin Concerto In E Minor, Op. 64, MWV O14: I. Allegro molto appassionato" by Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur was released on January 1, 2008. Violin Concerto In E Minor, Op. 64, MWV O14: I. Allegro molto appassionato appears to be safe for all ages as it is not explicit. The track order of this song in Felix Mendelssohn, Anne-Sophie Mutter, André Previn, Lynn Harrell, Gewandhausorchester, Kurt Masur's "Mendelssohn: Violin Concerto Op.64; Piano Trio Op.49; Violin Sonata in F major (1838)" album is number 1 out of 11. On top of that, Germany appears to be the country where this track was created. Violin Concerto In E Minor, Op. 64, MWV O14: I. Allegro molto appassionato is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto In E Minor, Op. 64, MWV O14: I. Allegro molto appassionato by Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waldszenen, Op. 82: No. 7 Vogel als Prophet | Robert Schumann, Wilhelm Kempff | E Major | 0 | 12B | 120 BPM | ||
Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188 | Camille Saint-Saëns, Tianwa Yang, Malmö Symphony Orchestra, Marc Soustrot | C Major | 1 | 8B | 129 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Spanish Romance, Op. 74: The Smuggler (Transcr. for Concert Performance by Carl Tausig) | Robert Schumann, Yuja Wang | F♯ Major | 7 | 2B | 151 BPM | ||
Lalo: Symphonie espagnole, Op. 21: III. Intermezzo. Allegro non troppo | Édouard Lalo, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France | A Minor | 1 | 8A | 107 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Paganini: Cantabile in D Major, Op. 17 | Niccolò Paganini, Vilde Frang, Michail Lifits | A Major | 1 | 11B | 109 BPM | ||
Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso "Frühlingslied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | A Major | 1 | 11B | 99 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM |
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