"Turangalîla-Symphony: IV. Chant d'amour 2. Bien modéré" by Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget was released on February 2, 2024. Turangalîla-Symphony: IV. Chant d'amour 2. Bien modéré appears to be safe for all ages as it is not explicit. The track order of this song in Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget's "Messiaen: Turangalîla-Symphony" album is number 4 out of 10. On top of that, France appears to be the country where this track was created. Turangalîla-Symphony: IV. Chant d'amour 2. Bien modéré is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalîla-Symphony: IV. Chant d'amour 2. Bien modéré by Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lamentate: Minacciando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | C Major | 0 | 8B | 72 BPM | ||
4 Pieces, Op. 51 (arr. Rogal-Levitsky): Fragilite, Op. 51, No. 1 | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | E♭ Major | 0 | 5B | 77 BPM | ||
A Morning in the Woods | Leo Ornstein, Janice Weber | B♭ Minor | 0 | 3A | 63 BPM | ||
Livre du Saint Sacrement: V. Puer natus est nobis | Olivier Messiaen, Loïc Mallié | A♭ Major | 0 | 4B | 134 BPM | ||
Cantata No. 4: No. 2, Pastoral | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | D♭ Minor | 0 | 12A | 85 BPM | ||
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: 15. Arioso interrotto (di Endre Szervánszky) Larghetto | György Kurtág, Parker Quartet | C Major | 0 | 8B | 176 BPM | ||
Tristan: I. Prologue | Hans Werner Henze, Igor Levit, Franz Welser-Möst, Gewandhausorchester | E Minor | 0 | 9A | 94 BPM | ||
Suite for Piano, Op. 25: I. Präludium | Arnold Schoenberg, Glenn Gould | B♭ Major | 2 | 6B | 105 BPM | ||
The Seasons: 6. Summer | John Cage, Herbert Henck | D Minor | 0 | 7A | 106 BPM |
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