Karol Szymanowski, Martin Roscoe's 'Variations on a Polish Theme, Op. 10: No. 5 Andantino' came out on December 6, 1996. With Variations on a Polish Theme, Op. 10: No. 5 Andantino being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Szymanowski: Piano Works, Vol. 2". In this album, this song's track order is #15. Variations on a Polish Theme, Op. 10: No. 5 Andantino is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations on a Polish Theme, Op. 10: No. 5 Andantino by Karol Szymanowski, Martin Roscoe having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM | ||
Nocturne No. 2 in E-Flat Major, Op. 9, No. 2 | Frédéric Chopin, Martin Roscoe | E♭ Major | 0 | 5B | 66 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Krol Roger (King Roger), Op. 46: Act I: The Shepherd Appears: Oto bluznierca! (Wretched Blasphemer!) (Chorus, Roger, Shepherd, Archbishop, Deaconess, Roxana) | Karol Szymanowski, Wojtek Drabowicz, Olga Pasichnyk, Krzysztof Szmyt, Piotr Beczala, Romuald Tesarowicz, Stefania Toczyska, Ryszard Wroblewski, Justyna Kabala, Maciej Dunin-Borkowski, Alla Polacca Choir, Polish National Opera Chorus, Polish National Opera Orchestra, Jacek Kaspszyk | D Major | 5 | 10B | 69 BPM | ||
4 Ballades, Op. 10: No. 4 In B | Johannes Brahms, Arturo Benedetti Michelangeli | B Major | 0 | 1B | 74 BPM | ||
Ma mère l'oye, M. 60: 3. Laideronnette, Impératrice des pagodes | Valeria Szervánszky, Ronald Cavaye | A♭ Minor | 1 | 1A | 129 BPM | ||
Pärt: Fratres | Arvo Pärt, Tasmin Little, Martin Roscoe | D Major | 0 | 10B | 63 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Stabat Mater, Op. 53: VI. Chrystus niech mi bedzie grodem (Soprano, Alto, Baritone, Chorus) | Karol Szymanowski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe, Pamela Helen Stephen, Gábor Bretz, BBC Symphony Chorus | D♭ Major | 0 | 3B | 72 BPM |
Section: 0.9374911785125732
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