- BPM
- 134
- Key
- E♭ Minor
- Camelot
- 2A
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante - Clara Schumann, Sara Costa Information
- Acousticness
- 99%
- Danceability
- 37%
- Energy
- 9%
- Instrumentalness
- 92%
- Liveness
- 10%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 37%
- Loudness
- -24.3 dB
Summary
"Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante" by Clara Schumann, Sara Costa was released on June 29, 2020. The duration of Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante is about 3 minutes long, at 3:03. Based on our data, "Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 22 in Clara & Robert Schumann: Correspondences by Sara Costa. Based on our statistics, Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante BPM
The tempo marking of Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante by Clara Schumann, Sara Costa is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante Key
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | |
 | 12 Etudes, Op. 8 (1894): No. 4 Piacevole | Alexander Scriabin, Alexander Paley | B Major | 0 | 1B | 64 BPM | |
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | |
 | Gnossiennes: n° 4 | Erik Satie, Alexandre Tharaud | A Minor | 0 | 8A | 85 BPM | |
 | 4 Postludes for Piano & String Orchestra: No. 3. Larghetto, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | G Major | 0 | 9B | 74 BPM | |
 | Pastorale | Germaine Tailleferre, Jean-Louis Beaumadier, Jacques Raynaut | C Major | 0 | 8B | 72 BPM | |
 | 6 Impromptus, Op. 5: Impromptu No. 6 in E Major | Jean Sibelius, Håvard Gimse | E Major | 0 | 12B | 71 BPM | |
 | Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | |
 | Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | |
 | 24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5708847045898438
End: 0.5750675201416016