"4 Pieces, Op. 51 (arr. Rogal-Levitsky): Fragilite, Op. 51, No. 1" by Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin was released on August 17, 1999. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Scriabin: Piano Concerto / Prometheus". In this album, this song's track order is #9. 4 Pieces, Op. 51 (arr. Rogal-Levitsky): Fragilite, Op. 51, No. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Pieces, Op. 51 (arr. Rogal-Levitsky): Fragilite, Op. 51, No. 1 by Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3: II. Allegro molto | Aaron Copland, New York Philharmonic, Leonard Bernstein | G Minor | 1 | 6A | 65 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 6: IV. Marche Funebre (Arr. V. Rogal-Levitsky) | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | D♭ Major | 0 | 3B | 54 BPM | ||
D'un soir triste | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 87 BPM | ||
Tsar' Iudeyskiy (The King of the Jews), Op. 95: Psalm of the Believers | Alexander Glazunov, Moscow Capella, Moscow Symphony Orchestra, Igor Golovschin | C Major | 0 | 8B | 115 BPM | ||
6 Pezzi, P. 44: No. 3. Notturno | Ottorino Respighi, Konstantin Scherbakov | F♯ Major | 0 | 2B | 87 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Der Genesende | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 83 BPM | ||
Le carnaval des animaux: Saint-Saens - Carnival of the Animals: XIII. Le Cygne (The Swan) | Camille Saint-Saëns, Konstantin Scherbakov | F♯ Major | 0 | 2B | 75 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: III. Gagliarda | Ottorino Respighi, Konstantin Scherbakov | D Major | 1 | 10B | 97 BPM | ||
Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 3 - Transfiguration: Infernale | Alexander Scriabin, Thomas Trotter, St.Petersburg Chamber Choir, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy, Anna-Kristiina Kaappola | B♭ Minor | 3 | 3A | 48 BPM |
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