"Peppi Pitkatossu (arr. L. Pulakka)" by Lauri Pulakka, Jan Johansson, Ostrobothnian Chamber Orchestra was released on July 1, 2013. With Peppi Pitkatossu (arr. L. Pulakka) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lauri Pulakka's "Leikkikalu Satakieli" album is number 10 out of 17. On top of that, Finland appears to be the country where this track was created. Peppi Pitkatossu (arr. L. Pulakka) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peppi Pitkatossu (arr. L. Pulakka) by Lauri Pulakka, Jan Johansson, Ostrobothnian Chamber Orchestra to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite a fur Blockflote, Streicher und Generalbass: Menuett 1/2 | Cologne Chamber Orchestra | A Minor | 0 | 8A | 129 BPM | ||
Chamber Air's, Op. 2: Sonata No. 1 in D Major: II. Allemanda: Vivace staccato | Richard Jones, Kreeta-Maria Kentala, Lauri Pulakka, Mitzi Meyerson | D♭ Major | 2 | 3B | 113 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: II. Première sarabande | Marin Marais, Ensemble Amalia | B Major | 1 | 1B | 169 BPM | ||
Chamber Air's, Op. 2: Sonata No. 4 in A Minor: III. Giga: Allegro | Richard Jones, Kreeta-Maria Kentala, Lauri Pulakka, Mitzi Meyerson | A♭ Minor | 2 | 1A | 117 BPM | ||
Concerti a più istrumenti in G Major, Op. 6 No. 5, II. Aria | Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi | F♯ Minor | 1 | 11A | 94 BPM | ||
26 Sonatas: No. 9, Violin Sonata in A Major, B.A1 / GT 2.A01: IV. Menuet | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: IV. Air contrefugué | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Mischievous Young Princess Lost in the Forest | Valeriy Blagovidov | D♭ Major | 0 | 3B | 100 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM |
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