Marin Marais, Ensemble Amalia's 'Marais: Pièces en trio: Suite No. 1 en do majeur: II. Première sarabande' came out on September 15, 2023. With Marais: Pièces en trio: Suite No. 1 en do majeur: II. Première sarabande being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Ensemble Amalia's "Marais: Trois suites en trio" album is number 12 out of 32. On top of that, France appears to be the country where this track was created. The popularity of Marais: Pièces en trio: Suite No. 1 en do majeur: II. Première sarabande is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Marais: Pièces en trio: Suite No. 1 en do majeur: II. Première sarabande by Marin Marais, Ensemble Amalia to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonnerie de Ste. Geneviève du Mont-de-Paris (Marin Marais) | Marin Marais, Rolf Lislevand, Jordi Savall, Fabio Biondi, Pierre Hantaï | A♭ Minor | 2 | 1A | 124 BPM | ||
Sonata in E Minor, Op. 6, No. 8: II. Allegro | Tomaso Albinoni, Ensemble Barocco Sans Souci | D♭ Major | 1 | 3B | 115 BPM | ||
Sinfonia No. 7 in G Minor, RosS 533.7: II. Moderato | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 2 | 1A | 117 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
4e livre de viole: Muzette | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | D♭ Minor | 5 | 12A | 95 BPM | ||
Quatrième suite in A Minor: No. 7, Muzette II | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 130 BPM | ||
Chamber Sonata No. 3 in D Major: II. Vivace e presto - Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | A Minor | 1 | 8A | 89 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Recorder Concerto in F Major, Op. 4/5, HWV 293: I. Larghetto | George Frideric Handel, Bernard Krainis, The London Strings, Sir Neville Marriner | G Major | 2 | 9B | 107 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM |
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