"Concerti a più istrumenti in G Major, Op. 6 No. 5, II. Aria" by Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi was released on October 23, 2008. The duration of Concerti a più istrumenti in G Major, Op. 6 No. 5, II. Aria is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Concerti a più istrumenti in G Major, Op. 6 No. 5, II. Aria's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 37 in Dall'Abaco: Concerti a più istrumenti by Evaristo Felice Dall'Abaco, Alberto Rasi, Il Tempio Armonico, Orchestra Barocca di Verona, Davide Monti. In terms of popularity, Concerti a più istrumenti in G Major, Op. 6 No. 5, II. Aria is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerti a più istrumenti in G Major, Op. 6 No. 5, II. Aria by Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti a più istrumenti in G Major, Op. 6 No. 5, I. Allegro e vivace assai | Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi | D♭ Minor | 1 | 12A | 84 BPM | ||
Concerti á 5 for Little Flaut, Due Violini, Alto et Basso, No. 4 in D Major: II. Adagio | Bartolomeo Bernardi, Giuseppe Torelli, Höör Barock, Emelie Roos | D♭ Major | 0 | 3B | 67 BPM | ||
Concerti a più istrumenti in F Major, Op. 6 No. 6, I. Allegro | Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi | E Major | 3 | 12B | 120 BPM | ||
Concerto grosso No. 6 in G Minor, Op. 6/6, HWV 324: II. A tempo giusto | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 169 BPM | ||
Airs for the Winter: Golden Rod: III. Tempo di minuetto: Allegro | James Oswald, The Broadside Band | A Major | 2 | 11B | 76 BPM | ||
Oboe Concerto in C Major, Op. 9 No. 5: I. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | C Major | 3 | 8B | 103 BPM | ||
Pièces de viole, Book 5, Suite No. 1 in A Minor: No. 15, Rondeau moitié pincé | Marin Marais, Alberto Rasi | F♯ Major | 1 | 2B | 80 BPM | ||
Viola da gamba Sonata in G Major, BWV 1027: III. Andante | Johann Sebastian Bach, Alberto Rasi, Patrizia Marisaldi | D♭ Major | 0 | 3B | 105 BPM | ||
Viola da Gamba Sonata in G Minor, BWV 1029: I. Vivace | Johann Sebastian Bach, Alberto Rasi, Patrizia Marisaldi | F♯ Minor | 3 | 11A | 87 BPM | ||
Concerto No. 1 in D Minor, Op. 2 No. 1: I. Largo | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Alberto Rasi | D♭ Minor | 4 | 12A | 108 BPM |
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