Richard Jones, Kreeta-Maria Kentala, Lauri Pulakka, Mitzi Meyerson made "Chamber Air's, Op. 2: Sonata No. 1 in D Major: II. Allemanda: Vivace staccato" available on July 3, 2012. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Richard Jones, Kreeta-Maria Kentala's "Jones: Chamber Airs for a Violin (and Thorough Bass)" album is number 14 out of 29. In terms of popularity, Chamber Air's, Op. 2: Sonata No. 1 in D Major: II. Allemanda: Vivace staccato is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Chamber Air's, Op. 2: Sonata No. 1 in D Major: II. Allemanda: Vivace staccato by Richard Jones, Kreeta-Maria Kentala, Lauri Pulakka, Mitzi Meyerson to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 6 for Three Cellos in D Minor: IV. Vivace con brio | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | D♭ Minor | 2 | 12A | 122 BPM | ||
Trio Sonata in A Minor, BuxWV 254: III. Lento - IV. Lento | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Sonata in C Minor for Violin and Continuo, Op. 1 No. 9: III. Allegro poco | Jean-Pierre Guignon, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Canonic Duo No. 4 in D Minor: Piacevole, Non Largo | Georg Philipp Telemann, Angèle Dubeau | B Minor | 0 | 10A | 163 BPM | ||
Harpsichord Suite No. 5 in B Minor: V. Bourree | Richard Jones, Judit Peteri | E♭ Minor | 4 | 2A | 87 BPM | ||
Chamber Air's, Op. 2: Sonata No. 3 in G Major: I. Preludio: Largo | Richard Jones, Kreeta-Maria Kentala, Lauri Pulakka, Mitzi Meyerson | F♯ Major | 1 | 2B | 84 BPM | ||
Sonata in G Minor, Z. 780: I. Adagio - Allegro - Largo - Vivace | Henry Purcell, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Concerto Grosso in B-Flat Major, Op. 6, No. 7, HWV 325: I. Largo - II. Allegro | George Frideric Handel, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Balkan Tune | The Balagan Café Band, Christian Miller, Richard Jones, Shirley Smart, Joe Browne | D Minor | 1 | 7A | 86 BPM | ||
Recercada segunda sobre tenores Italianos | Diego Ortiz, Sigiswald Kuijken | F♯ Major | 1 | 2B | 103 BPM |
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