Francois-Joseph Gossec, Les Agrémens, Chœur De Chambre De Namur, Guy Van Waas, Virginie Pochon, Tassis Christoyannis's 'Thésée, Acte I, Scène 7: Cessez, charmante Églé, de répandre des larmes (Églé, le Roi)' came out on October 21, 2013. With Thésée, Acte I, Scène 7: Cessez, charmante Églé, de répandre des larmes (Églé, le Roi) being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francois-Joseph Gossec, Les Agrémens, Chœur De Chambre De Namur, Guy Van Waas's "Gossec: Thésée" album is number 9 out of 69. On top of that, Belgium appears to be the country where this track was created. Thésée, Acte I, Scène 7: Cessez, charmante Églé, de répandre des larmes (Églé, le Roi) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Thésée, Acte I, Scène 7: Cessez, charmante Églé, de répandre des larmes (Églé, le Roi) by Francois-Joseph Gossec, Les Agrémens, Chœur De Chambre De Namur, Guy Van Waas, Virginie Pochon, Tassis Christoyannis to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 2 | 7B | 72 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
Hummel: Trumpet Concerto in E-Flat Major: II. Andante | Johann Nepomuk Hummel, Alison Balsom, Deutsche Kammerphilharmonie Bremen | A♭ Major | 1 | 4B | 66 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
Le Triomphe de la République ou Le Camp de Grand Pré, Scene 6: Anglaise or Bostonienne | Francois-Joseph Gossec, Diego Fasolis, I Barocchisti | D Major | 1 | 10B | 137 BPM | ||
Der Fischer und das Milchmädchen: IXb. Andantino pastorale | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM |
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