- BPM
- 72
- Key
- F Major
- Camelot
- 7B
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio - Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra Information
- Acousticness
- 92%
- Danceability
- 10%
- Energy
- 16%
- Instrumentalness
- 41%
- Liveness
- 10%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 26%
- Loudness
- -21.576 dB
Summary
"Brahms: Violin Concerto in D Major, Op. 77: II. Adagio" by Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra was released on September 25, 2015. Brahms: Violin Concerto in D Major, Op. 77: II. Adagio appears to be safe for all ages as it is not explicit. The song is number 2 out of 3 in Brahms: Violin Concerto by Johannes Brahms, Itzhak Perlman. Brahms: Violin Concerto in D Major, Op. 77: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio BPM
The tempo marking of Brahms: Violin Concerto in D Major, Op. 77: II. Adagio by Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 9 in E Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | B Minor | 1 | 10A | 106 BPM | |
 | Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | |
 | 4 Ballades, Op. 10: No. 4 In B | Johannes Brahms, Arturo Benedetti Michelangeli | B Major | 0 | 1B | 74 BPM | |
 | Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | |
 | Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo & Trio | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | D Major | 2 | 10B | 86 BPM | |
 | Pictures At An Exhibition: The Great Gate Of Kiev | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 2 | 5B | 58 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | |
 | 3 Violin Duets (1996 Digital Remaster): II. Gavotte | Itzhak Perlman, Pinchas Zukerman | A Major | 0 | 11B | 110 BPM | |
 | Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | |
 | Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7433233261108398
End: 0.7488510608673096