"Capriccio Espagnol, Op. 34" by Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi was released on January 1, 1990. Capriccio Espagnol, Op. 34 appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Tchaikovsky: Overture "1812"; Marche slave / Borodin: In the Steppes; Polovtsian Dances / Rimsky-Korsakov: Russian Easter; Capriccio". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Capriccio Espagnol, Op. 34 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Capriccio Espagnol, Op. 34 by Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non molto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | G Minor | 2 | 6A | 136 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Divertimento in D Major, K. 136, "Salzburg Symphony No. 1": I. Allegro | Wolfgang Amadeus Mozart, Munich Radio Orchestra, Ulf Schirmer | D Major | 2 | 10B | 137 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Capriccio espagnol, Op. 34: IV. Scena e canto gitano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
Solitude (Arr. for Strings) | Duke Ellington, Neeme Järvi, Detroit Symphony Orchestra | E♭ Major | 0 | 5B | 94 BPM | ||
Spanish Capriccio in A Major, Op. 34: I. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM |
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