"Dance of the Hours from Act III of "La Gioconda"" by Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy was released on 1959. Dance of the Hours from Act III of "La Gioconda" appears to be safe for all ages as it is not explicit. The song is number 19 out of 19 in Bizet: Carmen Suites No. 1 & No. 2, L'Arlésienne Suites No. 1 & No. 2, Dance of the Hours from La Gioconda by Georges Bizet, Eugene Ormandy. Based on our statistics, Dance of the Hours from Act III of "La Gioconda"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dance of the Hours from Act III of "La Gioconda" by Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wedding Day at Troldhaugen | Edvard Grieg, Joseph Cooper | E Major | 1 | 12B | 78 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's dance | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | E Minor | 0 | 9A | 158 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
Symphony No. 2 in E Minor, Op. 27: Ic. Moderato | Sergei Rachmaninoff, Philadelphia Orchestra, Yannick Nézet-Séguin | E Major | 1 | 12B | 89 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Symphony No. 1 in E Minor: II. Largo, maestoso | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A Major | 0 | 11B | 70 BPM | ||
Cavalleria rusticana: Act I: Intermezzo sinfonico | Pietro Mascagni, James Levine, National Philharmonic Orchestra | F Major | 1 | 7B | 87 BPM | ||
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM |
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