"Symphony No. 2 in E Minor, Op. 27: Ic. Moderato" by Sergei Rachmaninoff, Philadelphia Orchestra, Yannick Nézet-Séguin was released on June 30, 2023. With this song being about 5 minutes long, at 4:47, "Symphony No. 2 in E Minor, Op. 27: Ic. Moderato" by Sergei Rachmaninoff, Philadelphia Orchestra, Yannick Nézet-Séguin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Rachmaninoff: Symphonies Nos. 2 & 3; Isle of the Dead". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Symphony No. 2 in E Minor, Op. 27: Ic. Moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 2 in E Minor, Op. 27: Ic. Moderato by Sergei Rachmaninoff, Philadelphia Orchestra, Yannick Nézet-Séguin having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Víkingur Ólafsson | G Major | 3 | 9B | 134 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Symphony No. 4 in D Minor: IV. Scherzo. Allegro | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A Minor | 4 | 8A | 106 BPM | ||
Komm, süsser Tod, BWV 478 (Arr. L. Stokowski for Orchestra) | Johann Sebastian Bach, Yannick Nézet-Séguin, Orchestre Métropolitain | B♭ Minor | 0 | 3A | 79 BPM | ||
Rachmaninoff Symphony No. 2 | HAUSER | E♭ Major | 3 | 5B | 77 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 3. Menuet | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 86 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Debussy / Orch. Stokowski: Suite bergamasque, CD 82, L. 75: III. Clair de lune | Claude Debussy, Wolfgang Sawallisch, Philadelphia Orchestra | F♯ Major | 0 | 2B | 113 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM |
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