"Peer Gynt Suite No.1, Op.46: 3. Anitra's dance" by Edvard Grieg, English Chamber Orchestra, Raymond Leppard was released on January 1, 1998. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Edvard Grieg, English Chamber Orchestra, Philharmonia Orchestra, Raymond Leppard's "Grieg: Popular Orchestral Suites" album is number 3 out of 27. Based on our statistics, Peer Gynt Suite No.1, Op.46: 3. Anitra's dance's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Suite No.1, Op.46: 3. Anitra's dance by Edvard Grieg, English Chamber Orchestra, Raymond Leppard to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
Grieg: 4 Symphonic Dances, Op. 64: I. Allegro moderato e marcato | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 1 | 9B | 129 BPM | ||
Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Violin Concerto in A Minor, BWV 1041: I. Allegro | Johann Sebastian Bach, Isaac Stern, Alexander Schneider, English Chamber Orchestra | D Minor | 4 | 7A | 96 BPM | ||
Götterdämmerung, WWV 86D / Act III: Siegfried's Funeral March - Live | Richard Wagner, Gewandhausorchester, Andris Nelsons | F Minor | 0 | 4A | 71 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Concerto Grosso in A Minor for Two Violins, Op. 3 No. 8: Allegro | David Oistrakh, Igor Oistrakh | A Minor | 2 | 8A | 96 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM |
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