"Salut d'amour, Op. 12, "Liebesgruss" (version for violin and piano)" by Edward Elgar, Elissa Lee Koljonen, Robert Koenig was released on January 1, 1999. The duration of Salut d'amour, Op. 12, "Liebesgruss" (version for violin and piano) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Salut d'amour, Op. 12, "Liebesgruss" (version for violin and piano)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Violin Recital: Koljonen, Elissa Lee - Chopin, F. / Elgar, E. / Rachmaninov, S. / Kreisler, F. / Liszt, F. (Heartbreak - Romantic Encores for Violin) by Elissa Lee Koljonen. The song's track number on the album is #2 out of 17 tracks. Based on our statistics, Salut d'amour, Op. 12, "Liebesgruss" (version for violin and piano)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Salut d'amour, Op. 12, "Liebesgruss" (version for violin and piano) by Edward Elgar, Elissa Lee Koljonen, Robert Koenig has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Salut d'amour, Op. 12, "Liebesgruss" (version for violin and piano) being at 142 BPM, the half-time would be 71 BPM with a double-time of 284 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio | Luigi Boccherini, János Rolla, Franz Liszt Chamber Orchestra | A Major | 1 | 11B | 133 BPM | ||
VI. June. Barcarolle | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Minor | 0 | 6A | 69 BPM | ||
Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. for violin and piano) | Anonymous, Robert Schumann, Robert Koenig, Si-Qing Lu | F Major | 0 | 7B | 88 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: VII. Var. VI. Allegro con Spirito | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | C Minor | 1 | 5A | 140 BPM | ||
Introduction and Tarantella Op. 43 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | G Major | 2 | 9B | 107 BPM | ||
Venetian Boat Song, Op. 30 No. 6 | Jane Coop | F♯ Minor | 0 | 11A | 72 BPM | ||
Widmung | Robert Schumann, Franz Liszt, Evgeny Kissin | A♭ Major | 0 | 4B | 172 BPM | ||
Nocturne in D Major | David Grimal, Gordon Back | D Major | 1 | 10B | 132 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Liebestraum No. 3 in A flat, S.541 No. 3 | Franz Liszt, Claudio Arrau | A♭ Major | 1 | 4B | 124 BPM |
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