Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà's 'Variations on a Theme by Tchaikovsky, Op. 35a: VII. Var. VI. Allegro con Spirito' came out on August 26, 2022. With Variations on a Theme by Tchaikovsky, Op. 35a: VII. Var. VI. Allegro con Spirito being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà's "Music for Strings by: Elgar, Arensky, Tchaikovsky, Fuchs" album is number 8 out of 15. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Variations on a Theme by Tchaikovsky, Op. 35a: VII. Var. VI. Allegro con Spirito's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Variations on a Theme by Tchaikovsky, Op. 35a: VII. Var. VI. Allegro con Spirito by Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade: II. Aristophanes. Allegretto | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | D♭ Major | 0 | 3B | 119 BPM | ||
Achmet und Zenide, Act IV: Marsch | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM | ||
Mussorgsky: Boris Godunov, Prologue: Introduction | Modest Mussorgsky, Issay Dobrowen, Orchestre National Radiodiffusion Française | C Major | 1 | 8B | 149 BPM | ||
Wiosna, Op. 74 No. 2 (Version for Piano) | Frédéric Chopin, Marek Szlezer | D♭ Minor | 0 | 12A | 68 BPM | ||
Symphony No. 40 in G Minor K. 550: 交響曲第40番 ト短調 K.550 第1楽章: モルト・アレグロ | Wolfgang Amadeus Mozart, Seiji Ozawa | C Major | 3 | 8B | 82 BPM | ||
Symphony No. 1 in B Flat Major, Op. 38 "Spring": II. Larghetto | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | F Major | 0 | 7B | 107 BPM | ||
Piano Concerto No. 1 (Arr. J. Mayer): II. Andante molto cantabile | John Mayer, Keith Emerson, Jeffrey Biegel, Brown University Orchestra, Paul Phillips | C Major | 0 | 8B | 134 BPM | ||
The Four Seasons, Violin Concerto No. 3 in F Major, RV 293 "Autumn": III. Allegro (Arr. Saban) | Antonio Vivaldi, Ferhan Önder, Ferzan Önder | F Minor | 1 | 4A | 167 BPM | ||
Violin Concerto No. 2 in G Minor, RV 315 "Summer"/III. Presto | Antonio Vivaldi, Luka Faulisi, Martyna Pastuszka, {oh!} Orkiestra | G Minor | 5 | 6A | 84 BPM | ||
ス・ワンダフル | アンサンブル・ジャック・アンド・ジルズ | C Major | 3 | 8B | 135 BPM |
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